Mostrando entradas con la etiqueta Click and Cut. Mostrar todas las entradas
Mostrando entradas con la etiqueta Click and Cut. Mostrar todas las entradas

martes, 26 de mayo de 2009

B. Fleischmann - Welcome Tourist (2003)

Date Released: January 1, 2003
Origin: Austria
Genre: IDM, Abstract, Click & Cut
Label: Morr Music
Site:
http://www.bfleischmann.com/
Tracklist Disc One:
1. 02/00
2. Guided By Beats
3. Pass By
4. Grunt
5. Until The Real Thing Comes Along
6. The Blessed
7. As If
8. Waiting For You To Come
9. A Letter From Home
10. Le Desire
11. Sleep

Tracklist Disc Two:
1. Take Your Time

Better if listened with headphones. Cheers!

Download Link: http://rapidshare.com/files/235232375/B._Fleischmann_-_Welcome_Tourist.rar

domingo, 24 de mayo de 2009

B. Fleischmann - The Humbucking Coil (2006)

Date Released: January 1, 2006
Origin: Austria
Genre: IDM, Abstract, Click & Cut
Label: Morr Music
Site:
http://www.bfleischmann.com/
Tracklist:
1. Broken Monitors
2. Gain
3. Composure
4. First Times
5. Phones And Machines
6. Static Grate
7. Aldebaran Waltz

Download Link: http://rapidshare.com/files/235210580/B._Fleischmann_-_The_Humbucking_Coil.rar

viernes, 22 de mayo de 2009

B. Fleischmann - Sidonie (1999)

Date Released: November 1, 1999
Origin: Austria
Genre: IDM, Abstract, Click & Cut
Label: Morr Music
Site:
http://www.bfleischmann.com/
Tracklist:
1. Sidonie
2. Sad Star
3. Whirr
4. Where Have You Been
5. Sleep

Download Link: http://rapidshare.com/files/235193868/B._Fleischmann_-_Sidonie.rar

miércoles, 20 de mayo de 2009

B. Fleischmann - Pop Loops For Breakfast (1999)

Date Released: June 1, 1999
Origin: Austria
Genre: IDM, Abstract, Click & Cut
Label: Morr Music
Tracklist:
1. Slope
2. The Flow
3. Breakfast At The Ritz
4. Drops
5. The Red Saloon
6. Nightly
7. Le Matin
8. S

lunes, 18 de mayo de 2009

B. Fleischmann - Nico (2001)

Date Released: September 1, 2001
Origin: Austria
Genre: IDM, Abstract, Click & Cut
Label: Morr MusicSite: http://www.bfleischmann.com/
Tracklist:
1. Nico
2. Hyvä Päivä

Download Link: http://rapidshare.com/files/233401488/B._Fleischmann_-_Nico.rar

sábado, 16 de mayo de 2009

B. Fleischmann - Melancholie / Sendestraße - Two Concerts (2007)

Date Released: March 20, 2007
Origin: Austria
Genre: IDM, Abstract, Click & Cut, Leftfield
Label: Sound Of A Hand Shake / Morr Music
Site: http://www.bfleischmann.com/
Tracklist Disc One:
1. Melancholie - live
Tracklist Disc Two:
1. Sendestraße - live

Download Link: http://rapidshare.com/files/233396178/B._Fleischmann_-_Melancholie___Sendestrasse_-_Two_Concerts.rar

jueves, 14 de mayo de 2009

B. Fleischmann - Late (2004)

Date Released: August 24, 2004
Origin: Austria
Genre: IDM, Abstract, Click & Cut
Label: Morr Music
Site: http://www.bfleischmann.com/
Tracklist:
1. Tsip Tsap
2. lsdj
3. Facing It (duo 505 version)
4. Toru Okada
5. Wenig
6. Nochwas
7. Disko Und Bett

Download Link: http://rapidshare.com/files/230639682/B._Fleischmann_-_Late.rar

martes, 21 de abril de 2009

Murcof - The Versailles Sessions (2008) [Reuploaded Link]

Date Released: December 9, 2008
Origin: Mexico
Genre: Glitch, Click & Cut
Label: Leaf Records
Site: http://myspace.com/murcof
Tracklist:
1. Welcome to Versailles
2. Louis XIV' Demons
3. A Lesson For The Future, Farewell To The Old Days
4. Death Of A Forest
5. Spring In The Artificial Gardens
6. Lully's Turquerie as Interpreted by an Advanced Script

Download Link (New):
http://rapidshare.com/files/226782255/The_Versailles_Sessions.rar

viernes, 17 de abril de 2009

Murcof - Martes (2002) [Reupload]

Date Released: June 25, 2002
Origin: Mexico
Genre: Glitch, Click & Cut
Label: Leaf Records
Site: http://myspace.com/murcof
Tracklist:
1. Memoria
2. Mapa
3. Mir
4. Mármol
5. Mao
6. Muim
7. Mes
8. Maíz

Download Link: http://www.megaupload.com/?d=C3POSRYH

domingo, 5 de octubre de 2008

Murcof - Cosmos (2007)

Date Released: September 24, 2007
Origin: Mexico
Genre: Glitch, Click & Cut
Label: Lear Recors
Site: http://myspace.com/murcof
Tracklist:
1. Cuerpo Celeste
2. Cielo
3. Cosmos I
4. Cometa
5. Cosmos II
6. Oort
__________________________________________________
While Murcof (Fernando Corona) didn’t invent the concept of sample-based electronica, or even the use of classical samples in electronica (the lineage can be traced back to the original musique concrète-ers), he set the standard for a specific kind of sample-tronica five years ago with his debut Martes. By mixing the beats and glitches of electronic minimalism with the orchestral drama of 20th century classical, he spurred the creation of a new kind of home listening market populated by Marsen Jules, Max Richter, Deaf Centre and Ryuichi Sakamoto in various collaborations.Murcof’s new album is the soundtrack for an audiovisual project called Cosmos, and it's a grand departure from his earlier work. Martes sat perfectly on the crest of a classical-sampling wave when it was released on Leaf in 2002, sounding fresh and lush in the midst of the dry clicks and cuts minimalism of the day. But the Mexican’s trajectory has since veered from the path he set down. He’s retained the lush textures (now real instruments playing sequences composed specifically for the album), and some of his earlier beat orientation, but his ambitions have become engorged with classical monumentalism.The six tracks on Cosmos are bombastic compared to Murcof’s previous output, and even makes the sombre Remembranza (2005), apparently a tribute to his dead mother, seem lightweight. The operatic opener, 'Cuerpo Celeste', is a shocker (interpret that how you will): Nine minutes of heavy, dark drones periodically drowned out by pipe organs and choir sample assaults. If you make it to the end of this one, the next few tracks will be a relief, but not for too long. The grandiosity arcs near the end of the album, setting the scene for the disturbing finale, 'Oort'. The style of Cosmos is indeed, as Leaf PR suggests, closer to Hungarian composer György Ligeti (best known for the opera, Le Grand Macabre, and Kubrick soundtracks 2001: A Space Odyssey, The Shining etc), Coil, or even Sunn O))) than Murcof. Corona has plunged determinedly into macro modern-composition territory and left micro-electronica far behind.Now based in Barcelona, the Tijuanan has just embarked on a tour to support the new album, playing shows in the Planetariums of Europe. Which brings us back to the main point. The album is part of an audiovisual show: a show that involves video projections of sublime heavenly bodies in the comfort of a dome designed specifically for that purpose. Perhaps the majesty of the projections above will render the soundtrack less overblown? Tone it down somehow? We can only hope. A recent live show of Raster-Noton label boss Carsten Nicolai (Alva Noto) also had a kind of sci-fi bombast to it. Perhaps this new melodrama is a way out of the micro cul-de-sac, and a sign of things to come.

Review taken from: http://www.residentadvisor.net/review-view.aspx?id=4842
Download link: http://rapidshare.com/files/148394297/Murcof_-_Cosmos.rar.html

viernes, 3 de octubre de 2008

Murcof - Utopía (2004)

Date Released: June 28, 2004
Origin: Mexico
Genre: Click & Cut, Glitch
Label: Leaf Records
Site: http://myspace.com/murcof
Tracklist:
1. Ulysses
2. Maíz (Der Abschied von Dawson City mix)
3. Memoria (Sutekh's Trisagion mix9
4. Urano
5. Maíz (Icarus mix)
6. Ulysses (Fax mix)
7. MO (a.mo.re - aeroc mix)
8. Una
9. Muim (Colleen mix)
10. Ultimatum
__________________________________________________
Fernando Corona is a producer from Tijuana who is one of the central figures in Baja, California's Nortec Collective. He started by releasing Matmos-ian traditional Mexican cut-ups as Terrestre, and in 2002, he debuted with the album Martes under the name Murcof. Along the way he's remixed, cut vinyl as the mastering engineer for the Static Discos label, and scored the independent film Nicotina. He's a busy guy with a lot of talent, this Fernando Corona. Remember the name.
With Martes, Corona took fragments of 20th Century classical by composers like Morton Feldman and Arvo Pärt and combined the tense arrangements with micro beats. It was an interesting record with an unusual sound, but it wasn't ultimately great; something about the loops and repetition of Martes didn't seem to gel. Corona's conception called for freedom and openness, music unconstrained by the snap-to grid. For that we would have to wait another 18 months.
The 12-inch single "Ulysses", released earlier this year, delivered completely on Martes' promise and immediately built anticipation for the next Murcof full-length, due by the end of 2004. On both "Ulysses" and the B-side "Urano", Corona ditched samples to write and record his own charts, melding percolating minimalist beats with his subtly dissonant and open-ended phrases for strings. On this CD, Leaf has rewarded those without turntables by compiling the two tracks from the "Ulysses" 12-inch, two previously unreleased tracks, and seven remixes of material from Martes.
Beyond the exceptional "Ulysses" 12-inch, both unheard tracks here are good but sound like holdovers from the Martes sessions. "Una" loops and chops a short section for strings and sets the melody against an undercurrent of catgut groans and plucks. It's like a duet between two instruments from the violin family-- one set to play "music" and the other focusing on "sounds." "Ultimatum", which foregrounds the drum programming and uses bits of piano and violin more as seasoning, is probably the funkiest track Corona has released as Murcof.
The remixes are mostly strong, with the two best coming from familiar names. Jan Jelinek's "Der Abschied von Dawson City Mix" of "Maiz" is an excellent meeting of the minds that finds Jelinek using clipped fragments of plucked violin and double-bass slides for his own jazzed-up rhythmic ends. Deathprod's take on "Ulysses" leaves little of the original identifiably intact, but creates the kind of vast, doom-laden half-speed drift that will be instantly familiar to those familiar with his excellent Morals and Dogma.
Colleen's mix of "Muium" is inspired and imaginative, as Cécile Schott burrows deep inside the original track, emerging with handfuls of individual notes that are stretched into drones and reassembled into weird melodies. On the beat-friendly tip, Sutekh's "Triasgion mix" of "Memoria" is highly danceable and driving techno infested with squirming samples pushing in several directions simultaneously, while fellow Nortec Collective member Fax (Ruben Tamayo, not Pete Namlook) offers a dubby and comparatively warm take on "Maiz".
Fernando Corona's distinctive stamp is clearly affixed to every note of his originals, so his music lends itself to the remix treatment. But most exciting on Ulysses are the two new tracks that (hopefully) point the way toward the next Murcof album. What Corona brings to the table is something depressingly rare in electronic music: a fresh ear. Like Ekkehard Ehlers, Corona seems to hear music differently, allowing him to compose tracks that sound like no one else.

Review taken from: http://www.pitchforkmedia.com/article/record_review/20198-utopia
Download link: http://rapidshare.com/files/148160800/Murcof_-_Utop_a.rar.html

miércoles, 1 de octubre de 2008

Murcof - Martes (2002)

Date Released: June 25, 2002
Origin: Mexico
Genre: Glitch, Click & Cut
Label: Leaf Records
Site: http://myspace.com/murcof
Tracklist:
1. Memoria
2. Mapa
3. Mir
4. Mármol
5. Mao
6. Muim
7. Mes
8. Maíz
__________________________________________________
From the recent Tango infused beats of The Gotan Project to Chile's deep techno pioneers Ojo De Apolo, the music of South America has been slowly creeping into the public area in recent days.
One thing that were particularly glad to see down South is the recent exposure of Mexican record labels like Mil, Static Discos and The Nortec Collective, who are showing that even Mexico can compete with the rampaging electronic music hordes who currentlydominate the US and European music scenes.
Originally a part of Tijuana's noteworthy Nortec Collective, Fernando Corona has splintered off recently to record his own music under the Murcof moniker. Having gained our attention with an excellent 4 track EP on San Francisco's Context Free Media label last year (three of those tracks appear here as well), Tony Morley's Leaf label has seen fit to release a full length of his work here in the UK.
Taking a page out of the minimal electronic music book penned by labels like ~scape, Chain Reaction and Context Free Media, Corona has pieced together a fantastic collage of micro-house with classical overtones that are both harmonious and otherworldly. Whereas some electronic artists flirt with classical music in their own compositions, such as Aphex Twin, Sun Electric or Ulrich Schnauss, this my friends, is the real deal.
Check the brilliant mix of plucked strings and Korg organ pad on "Mir" for example - each painstakingly edited together like the accents on a score of parchment; or the sense of dread that sneaks up on you in "Mo". The sense of mix placement and space is fantastic - alternating textures of lush ambience and cold minimalism that tickle the ear on headphones and embraces the body on a speaker system.
Corona not only has a great sense of melody but seems to have a real understanding of how traditional instruments can retain their beauty within the cold, harsh world of electronic music. Check out the layered mix on "Mum" where he pieces together ambient piano, strings, a solo female vocalist and some grinding electronics that all sit perfectly on top of a beat that wouldn't be out of place on a Pole CD, or Wagon Christ's work on Rising High.
For those seeking a unique take on classical music or for adventurous DJs out there who are looking to spice up their mix with something truly special, Martes should be an essential purchase.
An absolutely wonderful and highly original work.

Review taken from: http://www.bbc.co.uk/music/release/qfdp/
Download link: http://rapidshare.com/files/147166951/Murcof_-_Martes.rar.html

lunes, 29 de septiembre de 2008

Murcof - Remembranza (2005)

Date Released: October 27, 2005
Origin: Mexico
Genre: Ambient, Glitch, Click & Cut
Label: The Leaf Label
Site: http://myspace.com/murcof
Tracklist:
1. Recuerdos
2. Razón (en 3 partes)
3. Retrato
4. Rostro
5. Ruido
6. Reflejo
7. Resignación
8. Ríos
9. Camino
__________________________________________________
It's easy to think of glitchy, atmospheric electronica as the audio component of a serial killer's everyday routine, given its virtual ubiquity in edgy/"indie" horror films over the past half-decade or so. While Murcof's music is certainly as edgy and creepy as it gets, the music's gothic sensibilities never overwhelm its sonically interesting traits.
Murcof is a Mexican artist, but there's nothing about his work that (to anglo ears, at least) suggests a particularly Mexican sensibility. He deals in the universally idiosyncratic relationships between creator, instruments, technology, rhythm, noise, melody, form and formlessness that can make the best electronic music so compelling. His work is certainly dark and eerie, but not cartoonishly so.
No two ways about it, though: you wouldn't want to walk through a fog-shrouded graveyard listening to Remembranza. Unless it was noon. And your mom was there. And your teddy bear. Opener "Recuerdo" kicks off with a pulsing beat that's just glitchy enough to resemble an arrhythmic heart. The rest of the track is full of creepy creaks, tuneless piano-string glissandos, slamming doors and other stuff that makes you go bump in the night. About halfway through its eight-minute running time, the rhythm track kicks in in earnest, and the song loses some atmosphere, but gains much-needed forward motion.
Remembranza as a whole can be seen as a struggle between the competing aesthetics of formless atmospherics and subtle rhythm. "Rostro", one of the album's most strongly melodic tracks (remember, it's a sliding scale), barely scatters rhythmic elements, but leaves just enough to perpetuate a structure. The two-note melody that recurs over the top, then, creates a pensive element against which to consider the percussion, as it gradually coalesces into a more conventional rhythm track. It's an effective approach, and will hold your attention without adding a single unnecessary element.
It's moody and atmospheric. In fact, somewhere out there, a burgeoning Blair Witch auteur is already writing the scene where his killer sticks a victim's skin to his face and does a little dance, knowing he'll be scoring it with tracks from Remembranza. Don't discount it for its similarities to other records in its genre -- celebrate it for Murcof's personal and frequently fascinating vision.

Review taken from: http://www.splendidezine.com/review.html?reviewid=1128942106721212

Download link [Reuploaded Link]: http://rapidshare.com/files/153347187/Murcof_-_Remembranza.rar.html